November Reads
Venice, 1945. The war may be waning, but the city known as La Serenissima is still occupied and the people of Italy fear the power of the Third Reich. One night, under a canopy of stars, a fisherman named Cenzo comes across a young woman’s body floating in the lagoon and soon discovers that she is still alive and in trouble.
Born to a wealthy Jewish family, Giulia is on the run from the Wehrmacht SS. Cenzo chooses to protect Giulia rather than hand her over to the Nazis. This act of kindness leads them into the world of Partisans, random executions, the arts of forgery and high explosives, Mussolini’s broken promises, the black market and gold, and, everywhere, the enigmatic maze of the Venice Lagoon.
The Girl from Venice is a thriller, a mystery, and a retelling of Italian history that will take your breath away. Most of all it is a love story.
Mercury/ Margot LiveseyA tense, psychological drama and a taut emotional thriller about love, obsession, and the deceits that pull a family apart.
Donald believes he knows all there is to know about seeing. An optometrist in suburban Boston, he is sure that he and his wife, Viv, who runs the local stables, are both devoted to their two children and to each other. Then Mercury—a gorgeous young thoroughbred with a murky past—arrives at Windy Hill and everything changes.
Mercury’s owner, Hilary, is a newcomer to town who has enrolled her daughter in riding lessons. When she brings Mercury to board at Windy Hill, everyone is struck by his beauty and prowess, particularly Viv. As she rides him, Viv begins to dream of competing again, embracing the ambitions that she had harbored, and relinquished, as a young woman. Her daydreams soon morph into consuming desire, and her infatuation with the thoroughbred escalates to obsession.
Donald may have 20/20 vision but he is slow to notice how profoundly Viv has changed and how these changes threaten their quiet, secure world. By the time he does, it is too late to stop the catastrophic collision of Viv’s ambitions and his own myopia.
The truth is I hurt people. It's what I do. It's all I do. It's all I've ever done." He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him. What you don't know is that he has an elaborate cage built into a secret basement under his garage. And the food that he's carefully shopping for is to feed a young woman he's holding there against her will--one in a string of many, unaware of the fate that awaits her. This is how it's been for a long time. It's normal...and it works. Perfectly. Then he meets the checkout girl from the 24-hour grocery. And now the plan, the hunts, the room...the others--he doesn't need any of them anymore. He only needs her. But just as he decides to go straight, the police start to close in. He might be able to cover his tracks, except for one small problem--he still has someone trapped in his garage. Discovering his humanity couldn't have come at a worse time.
Orphans of the Carnival/ Carol BirchA life in the spotlight will keep anyone hidden. Julia Pastrana is the singing and dancing marvel from Mexico, heralded on tours across nineteenth-century Europe as much for her talent as for her rather unusual appearance. Yet few can see past the thick hair that covers her: she is both the fascinating toast of a Governor's ball and the shunned, revolting, unnatural beast, to be hidden from children and pregnant women. But what is her wonderful and terrible link to Rose, collector of lost treasures in an attic room in modern-day south London? In this haunting tale of identity, love and independence, these two lives will connect in unforgettable ways.
In the not-too-distant future, a simple outpatient procedure to increase empathy between romantic partners has become all the rage. And Briddey Flannigan is delighted when her boyfriend, Trent, suggests undergoing the operation prior to a marriage proposal--to enjoy better emotional connection and a perfect relationship with complete communication and understanding. But things don't quite work out as planned, and Briddey finds herself connected to someone else entirely--in a way far beyond what she signed up for. It is almost more than she can handle--especially when the stress of managing her all-too-eager-to-communicate-at-all-times family is already burdening her brain. But that's only the beginning. As things go from bad to worse, she begins to see the dark side of too much information, and to realize love--and communication--are far more complicated than she ever imagined.
Smoke and mirrors/ Elly GriffithsBrighton, winter 1951. Pantomime season is in full swing on the pier with Max Mephisto starring in Aladdin, but Max's headlines have been stolen by the disappearance --of two local children. When they are found dead in the snow, surrounded by sweets, it's not long before the press nickname them 'Hansel and Gretel'. DI Edgar Stephens has plenty of leads to investigate. The girl, Annie, used to write gruesome plays based on the Grimms' fairy tales. Does the clue lie in Annie's unfinished - and rather disturbing - last script? Or might it lie with the eccentric theatricals who have assembled for the pantomime? Once again Edgar enlists Max's help in penetrating the shadowy theatrical world that seems to hold the key. But is this all just classic misdirection?
Eleanor knows she's a mess. But today, she will tackle the little things. She will shower and get dressed. She will have her poetry and yoga lessons after dropping off her son, Timby. She won't swear. She will initiate sex with her husband, Joe. But before she can put her modest plan into action--life happens. Today, it turns out, is the day Timby has decided to fake sick to weasel his way into his mother's company. It's also the day Joe has chosen to tell his office--but not Eleanor--that he's on vacation. Just when it seems like things can't go more awry, an encounter with a former colleague produces a graphic memoir whose dramatic tale threatens to reveal a buried family secret. A hilarious, heart-filled story about reinvention, sisterhood, and how sometimes it takes facing up to our former selves to truly begin living.
The hating game/ Sally ThorneFor Lucy Hutton and Joshua Templeman, executive assistants to the CEOs of newly merged Bexley-Gamin Publishing, it's hate-at-first-sight. So begins a series of daily passive-aggressive manoeuvres, including the staring game, the mirror game, and the HR game, each played with the intensity of the Hunger Games. Their mutual antipathy grows when a new executive position opens at Bexley-Gamin, and both their bosses put their names up for the promotion. Then, the high-stakes games begin! After another 60-hour work week, Lucy logs off her computer and hops on the elevator to head home, as does Joshua. When Joshua hits the emergency button and stops the ride, Lucy is certain her nemesis is going to kill her. Instead, he plants a kiss on her, and Lucy begins to wonder if she really does hate Joshua after all, or if this is yet another game.
Ava's twenty-five-year marriage has fallen apart, and her two grown children are pursuing their own lives outside of the country. Ava joins a book group, not only for her love of reading but also out of sheer desperation for companionship. The group's goal throughout the year is for each member to present the book that matters most to them. Ava rediscovers a mysterious book from her childhood--one that helped her through the traumas of the untimely deaths of her sister and mother. Alternating with Ava's story is that of her troubled daughter Maggie, who, living in Paris, descends into a destructive relationship with an older man. Ava's mission to find that book and its enigmatic author takes her on a quest that unravels the secrets of her past and offers her and Maggie the chance to remake their lives
Nutshell/ Ian McEwan
Trudy has betrayed her husband, John. She’s still in the marital home—a dilapidated, priceless London townhouse—but John’s not there. Instead, she’s with his brother, the profoundly banal Claude, and the two of them have a plan. But there is a witness to their plot: the inquisitive, nine-month-old resident of Trudy’s womb.
